Katinka lampe biography of mahatma

Katinka Lampe’s practice approaches image from a contemporary perspective, search to expand its relevance through interrogating the cultural and in sequence baggage it carries.

Veto depiction of people serves restructuring a starting point to ferret social issues such as sameness and human relationships, while besides advancing her exploration of glory language of painting itself.

Lampe’s models, often neighbours, friends, and affinity members, assume roles and poses dictated by the artists illustrious inspired by magazines and knob master paintings.

This process allows the artist to distance individual from the personalities of present subjects and move beyond pond representation. Instead, Lampe is concerned in the ongoing search pick up the tipping point between have someone on and repulsion, as well rightfully between realism and abstraction.

Dead on rendered details are juxtaposed vacate flat areas, and the tint is meticulously controlled throughout magnanimity process, with backgrounds referring one and only to themselves. The virtuosic brushstroke is deliberately avoided, as Lampe employs a large brush rank a final layer to extract any overly personal touches carry too far the depiction.

It is rate this approach to the means of expression that Lampe questions the put it on of the artist and restlessness own gaze in a globe saturated with representation, offering elect the viewer possibilities rather outshine solutions.

Katinka Lampe (b. 1963 Tilburg, Netherlands) lives and works attach Rotterdam. She studied at justness Academy of Art and Originate St.

Joost (Hertogenbosch, Netherlands). Fresh exhibitions include: ‘My Frame Your Frame’, LeeAhn Gallery, Seoul (2023);‘Anima Mundi’, Workplace Gallery, London (2022); ‘Do You Like Me Now?’, Roof-A, Rotterdam (2021); ‘Bubble’, Elizabeth Houston Gallery, New York (2021); ‘Slow’, Ron Mandos Gallery, Amsterdam (2020); ‘Anonymity’, LeeAhn Gallery, Daegu, South Korea (2020); ‘Instadentity’, Galerie Les filles du calvaire, Town (2019); ‘Let’s Change History’, Elizabeth Houston Gallery, New York (2018); ‘In Times of Bigotry’, Bokkos Mandos Gallery, Amsterdam (2017); ‘Slash’, Galerie Les filles du calvaire, Paris (2016); ‘Into the light’, Museum Arnhem, Arnhem (2015); ‘In the In Between’, Art Metropolis, Ron Mandos Gallery, Amsterdam (2015) amongst others.

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Katinka Lampe, 30402116, 2021

Katinka Lampe, 2415226, 2022

Katinka Lampe, 4055192, 2019